Author: Tassoula (Page 4 of 13)

When I was young I wanted to be many things when I grew up: ice skater, rock star, ballet dancer, wife of Michael J. Fox, etc. but when I got to be a teenager, I really had a feeling I’d end up a writer. Writing always came easy to me, and it was something I couldn’t physically stop doing, no matter what the situation.

Of course, when I was young, we still had those things called newspapers, so I naturally wanted to be a reporter. I found chasing stories and asking people hard questions to be an exciting job.

I would take my fashionable Minolta Disc camera (it was green, silver and awesome) to take important photos of whatever I was supposed to be covering. But of course, I had to wait for the roll of film to be finished, so it always seemed like a lifetime before we got the actual photos back.

This is what a roll of film looked like post-developing:

Thankfully, when I became the editor of the paper in high school (it was called The Verdict, because our school was named for a Supreme Court Justice), I had photographers with real SLR cameras to accompany me on my assignments, and they always took better photos like the one below this paragraph. This was the day we got to ditch class (with the journalism advisor’s permission) and head to downtown Portland to catch a glimpse of Madonna filming Body of Evidence with Willem Dafoe. We didn’t meet her or speak with her, but I wrote a review of the film and Jason snapped this great picture. I wonder whatever happened to Jason.

Also important in a young journalist’s life were the obligatory Steno pads. In the days pre-digital-recorder, and pre-laptop, we had to resort to good, old-fashioned paper and pens, and because I’m painfully nostalgic, I kept my favorite two Steno notebooks: the one I had while working at The Oregonian and the other one I received at journalism camp my junior year.

What was a high school student doing at The Oregonian? Working hard, that’s what! No, really, I was living out a geeky dream. I had been chosen to write for a city-wide student newspaper called Youth Today and our advisor was Judson Randall, a senior editor at the paper back then. We met and worked in the actual Oregonian newsroom, and the summer after I began there, I was chosen to attend a journalism workshop in Washington DC, which led to me meet some lifelong friends and contribute to another student newspaper called Young DC.

Apart from the actual fun of reporting news and crafting stories, those experiences marked my first real moments of independence as a young adult: I took a bus (or drove myself) downtown to work at the newspaper, signed myself in with a security badge and taught myself how to use the prehistoric (but at the time very cool) computer terminals. I would walk down to Powell’s Books and research stories for hours; I took my first solo plane ride to Washington DC at age 16 and have been a frequent flier ever since.

One of my favorite articles back in the old days was a piece I did for the traveling exhibit that featured Anne Frank’s actual diary on display. That had been my favorite book since I first read it in 6th grade and I was obsessed with Anne for many years, identifying with her in many ways (though I wasn’t Jewish). When the show came to town I literally got goosebumps just reading a flyer for it, so I knew that assignment had to be mine. I contacted the American Friends of the Anne Frank Center (they were sponsoring it), and they gave me a guided personal tour so I could enjoy the full scope of the presentation. I was moved to tears and promptly went home to write the article you see below. It made the front page.

Less than a year later, I had applied and been accepted to the famous University of Missouri-Columbia journalism school. I worked briefly a real newspaper before deciding that I couldn’t earn a good enough living doing that and became an advertising writer instead. Hence, my career today.

The money is certainly better, but marketing will never take the place of a well-worn Steno Pad.

Being the baby of the family, I was often talked into things that seemed like a good idea at the time, but later proved to be ridiculous.

One example is the Sunday that my sister spent dressing me up as a “punk rocker” when I was four years old. No, it wasn’t Halloween. No, there was no costume contest to attend or pageant for tiny fake whores, just a barrel of laughs at the expense of the littlest Kokkoris, who was more than game to get gussied up in the fashion of some of her favorite rock stars.

In fact, I distinctly remember liking the getup so much that I begged to dress that way on a permanent basis. Thankfully, my mom vetoed that wish and the next day I went back to being Sweet Little Tassoula.

Maybe that’s why I turned out to be such a groupie?

Originally posted: March 14, 2010

When we’re young, there are always clubs that we want to join. The big one for me was the high school dance team, the Marshall M-Ettes. I had taken dance classes all of my life and was sure I’d make the team at my first audition freshman year.

And I did. But I made 2nd string, which at the time was like being benched on the basketball court (and hurt me deeply).

I didn’t make first string for two reasons: 1) I could do the splits on both sides (right, yes — with practice; left, not so much) and 2) I had absolutely no self-confidence when it came to flaunting my body in front of large groups of people.

I was always an excellent public speaker, and loved being in front of an audience, but dance was different — I was raised in a home that dictated I should not make myself attractive to boys, and much of dance team dancing at my inner-city school was very sexual and flirtatious.

So I had trouble leaving what I’d been trained to act like at the steps of my house and bringing it to the audiences of Marshall High School. It didn’t help that we had a horrible bitch of a coach who did her best to humiliate me every chance she got, or that my dearest friends were co-captains and 1st string dancers, but somehow I got through it.

At the heart of it all, I loved to dance. I would practice with the team every day for two or three hours, then go home and practice some more. I practiced my way to 1st string (finally, in my junior year) and lettered in the sport (a big deal to me when I was 16), then went on to become a captain my final year.

Some of the best and worst times of my high school years were spent with my fellow M-ettes — many who I’ve remained friends with and some who I’ve been lucky enough to reconnect with on Facebook.

And, wow! I was thin back then. A tiny 97 lbs.

Perhaps I should have never quit dancing.

Two more items of interest popped up as I was sorting through a pile of childhood papers tonight. My marriage certificates.

What?

These were apparently something we did at the Sadie Hawkins dances in what would’ve been my sophomore year of high school.

The funny thing? I have a memory like an elephant and I have absolutely no recollection of this whatsoever. I apparently married my friend Scott (not once, but twice), though we never dated in reality. Perhaps he lost a bet?

Now I also wonder what else I have forgotten from those events. Did I register for gifts? Wear a pretty dress? Had I known at the time it would be my only wedding, would I have done things differently?

Sheesh, time flies.

Folks older than me seem to assume that I identify more with the 90s because those were the years in which I graduated from high school and college, but really, I consider myself a child of the 80s. To me that decade was much more interesting and colorful — if given the choice to revisit either, I’d easily pick the 80s.

And what would the 80s have been without Cabbage Patch Kids? I remember yearning for one of these in a way no other toy had previously captured me. They were overpriced, ugly, impractical dolls that flew off shelves most likely due to their clever adoption gimmick. Whenever you purchased a doll, it came complete with its own name and adoption papers, and the company that manufactured the dolls would keep in touch with you if you properly completed your paperwork. In addition, to validate the authenticity of the dolls, you had to find the Xavier Roberts signature on its bum. It was all very important and official.

But these dolls were hard to come by. Not only were they easily out of the price range of most middle class families, they sold so quickly, the company couldn’t keep up with the orders.

I had all but given up on getting one when my 9th birthday rolled around. I carefully examined all of the wrapped gifts and saw that none of them bore the famous shape of the Cabbage Patch box, and I didn’t want to make my parents feel bad by showing my disappointment, so I acted especially excited about a lavender terrycloth robe that my mom presented me with, and rejoiced when I saw the solar powered calculator that was supposed to help me improve my math skills. At least there was cake, I figured.

Then my mom and my sister disappeared into my parents room and returned triumphantly carrying my new Preemie™ and my mom told our guests the story of being afraid to walk it home from Fred Meyer for fear she’d get robbed.

My baby’s given name was Marleen Berty, which I thought sounded terrible with “Kokkoris” so I promptly re-named her Marlena Charisse. Marlena after my favorite character on Days of Our Lives, and Charisse after one of my close friends at the time.

In this photo you can see Marlena with her adoption papers and her first birthday card. She still sports the outfit she came in.

In the 80s I also begged for another toy I never got: Atari, the revolutionary home video game system that pretty much all of my friends had. Instead of giving in to that desire, my parents and grandmother supplied me with a steady stream of quarters, which I rapidly fed to the arcade across the street at the Eastport Plaza mall. My games of choice: Tempest, Centipede and of course, Pac Man (or more specifically, Ms. Pac Man). Below you’ll see a sticker from one of my stationery collections featuring the character.

Above the sticker is my book about Olympic gymnast Mary Lou Retton. Mary Lou was what kept me glued to the ’84 Olympics and also what made me take gymnastics for the next four years. I had a bodysuit and training suit identical to hers and practiced my winning smile (another thing she was famous for) in my bedroom vanity mirror on a daily basis. I still watch and enjoy the Olympics, but I don’t remember ever liking another athlete as much as I liked her.