Category: Film

Women Of The White Buffalo Film Inspires Action, Change for Indigenous People

I first learned of the documentary, Women Of The White Buffalo, on Julian Lennon’s website. An Executive Producer on the film, Lennon’s White Feather Foundation is also associated with the project.

Through a serendipitous stop back in Los Angeles after an international trip, I was able to attend a screening of the movie last night at the Red Nation Film Festival.

To put it plainly: This film will stay with me forever.

Shot in the poorest county in the United States, Director Deborah Anderson paints an intimate portrait of eight women making a difference for their people in the Lakota community of Pine Ridge, South Dakota.

Because the film is shot on location, in their homes and surrounding areas of the reservation, the narrative takes on a more personal vibe than traditional ‘talking head’ documentaries. As the women recount their stories of the rape, poverty and brutality they’ve suffered as a result of what’s become of their community, it felt more like a friend confiding in another friend than subjects on a screen informing an audience. This technique made the content all the more harrowing, but also more accessible. As a viewer, I couldn’t help but experience their pain right alongside them.

Each time a new, brutal statistic flashed on-screen I would wince in uncomfortable horror. I knew the situation was bad; I did not know it was that dismal.

Their stories tell of how the genocide by the U.S. government has created a cycle of poverty and addiction that threatens the continuity of their culture.

Most of us probably think of genocide as only mass killings, but featured Elder Carol Iron Rope put it best in her interview when she stated, “When you take a language away from a people, that’s genocide. When you take a way of life away from a people, that is genocide.”

And that’s unfortunately what’s happened to this formerly thriving matriarchal society.

The good news is that there are a number of Women Warriors working to reverse the damage and secure a better future by way of activism, legal action and an inherent motivation to right the wrongs of the past.

I was particularly inspired by the candid nature of Sunrose Iron Shell who is a teacher at St. Francis Indian School. Her passion to keep the indigenous culture alive for her students coupled with her refusal to sugar-coat the truths that they’re faced with give her an exceptional power to ignite change every day.

Only a small percentage of my blood is Native American, but I left the screening full of righteous anger for what has become of the first stewards of our land. The beautiful, spiritual people that the white man should have looked to learn from rather than extinguish.

One of the most touching things I learned from the film was that the Lakota people consider the next seven generations each time they make a big decision. If only our country’s leaders thought the same way.

Film Review: Satan & Adam

By Tassoula E. Kokkoris

This work was commissioned for the site atu2, which was online from 1995 – 2020 and it still protected under a shared copyright.

“There’s never been another artist singing one of their songs on a U2 album.” —The Edge

The artist that The Edge is referring to is Sterling “Mister Satan” Magee and the song is “Freedom For My People,” which appeared on Rattle And Hum.

Mister Satan, along with his musical partner Adam Gussow, are the subjects of the new documentary Satan & Adam, directed byV. Scott Balcerek.

The film chronicles the history of the unlikely pair from the time they joined up on the streets of Harlem on the mid-1980s until present day. And what a history they have.

At the time they met, Mister Satan was a street performer (by choice) who had previous experience making music with legends like Marvin Gaye and Etta James. It’s never specified exactly why he left the business, but he played with such exuberance and joy on the sidewalk, no one seems to question it. He performed for a regular following of fans and passersby who tossed money his way in exchange for prime entertainment.

One day, on the heels of a messy breakup, Gussow found himself walking down the street where Mister Satan was performing and asked if he could join in and play. Mister Satan agreed and soon the two became known as an unlikely but endearing duo—a classic black guitarist/singer with an impressive performance resume and an Ivy-League educated white harmonica player who lacked experience. With racial tensions high at the time in New York, their partnership was a refreshing reprieve from the violence that surrounded them.

Mister Satan and Adam wrote blues riffs that are undeniably catchy and soon they got the attention of Bono and The Edge, who were in town filming portions of the U2 documentary, Rattle And Hum. Phil Joanou, who directed that film, appears in Satan & Adam along with The Edge, and recalls how special the music sounded, “It wasn’t just some guy kinda ‘Give me a buck, come on I’m on the corner. I’m just riffin’ some cover tune.’ This was something interesting.”

Joanou put a brief clip of Mister Satan and Adam in his film and U2 added the song to their album, which brought the Harlem duo a heightened level of exposure and several new fans. Soon Adam convinced Magee to record some tracks in a studio and their popularity exploded, leading to a tour of notable clubs and festivals all across the U.S. and Europe. Though they enjoyed great success, circumstances beyond their control disrupted their rise to fame. The performances came to an end and life continued for them both, but in two very different directions.

With a mix of archival footage (including a segment U2 fans will find quite familiar) and interviews with Gussow and those moved by their music, the story that emerges is that of an enduring, real friendship between two very different men that were united for a period of time by music.

If you appreciate the blues or just want to witness a pleasant real-life “buddy” movie, Satan & Adam will be right up your alley.

Satan & Adam opened in the U.S. on April 12.

(c) 2019, atu2/Kokkoris.

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